TWO:Mme. Le Brun generally spent the evening alone with Mme. Du Barry by the fireside. The latter would sometimes talk of Louis XV. and his court, always with respect and caution. But she avoided many details and did not seem to wish to talk about that phase of her life. Mme. Le Brun painted three portraits of her in 1786, 1787, and in September, 1789. The first was three-quarters length, in a peignoir with a straw hat; in the second, painted for the Duc de Brissac, she was represented in a white satin dress, leaning one arm on a pedestal and holding a crown in the other hand. This picture was afterwards bought by an old general, and when Mme. Le Brun saw it many years later, the head had been so injured and re-painted that she did not recognise it, though the rest of the picture was intact.From the horrors of the Revolution she had fled in time; with the Empire and its worshippers she had never had any sympathy; the episode of the Hundred Days was a new calamity, but when it was past and the King again restored her joy was complete.
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THREE:Trzia became a power in Bordeaux. She appeared everywhere in public wearing those scanty Greek draperies so well calculated to display the perfection of her beauty; affecting the attitude of the Goddess of Liberty, with a pike in one hand and the other resting upon the shoulder of Tallien. [309] The populace cheered as she drove about Bordeaux in a magnificent carriage which, had it belonged to a royalist, would have excited their rage. She harangued the Convention with bombastic speeches about women and virtue and modesty, which, to persons not besotted with frantic republicanism, must appear singularly out of place; mingling her exhortations with flattery so fulsome and preposterous that she did not fail to command sympathetic acclamations, especially when she said that she was not twenty years old and that she was a mother but no longer a wife.- Lorem ipsum dolor sit amet, consectetur adipiscing elit. Lorem ipsum dolor sit amet, consectetur adipiscing elit.
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